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Far
too many articles have been written on the art of making
friends. In fact, it is my considered opinion that the subject
has not only passed the point of saturation it has now become a
downright bore.
In contrast, the art of making enemies has been disgracefully
neglected. I refer of course to social and domestic fields. The
political arena we can leave well alone for there it has been
practiced to disastrous excess. |
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Before we proceed to the
all-important “modus operandi” of making enemies, let us
examine the essential reasons for developing such an
art. If you are inclined to doubt the wisdom of it all,
I can only say that you lack that fine faculty called
imagination. Actually, the reasons are so obvious that
they should leap into your mind without the slightest
prompting. Because of this we can afford to summarise
and not bother with detail.
Briefly, therefore, the
reasons are as follows : (a) enemies do not stop you in
the streets to ask for loans varying from five rupees to
five hundred; (b) enemies do not drop in on you at the
oddest hours for no reason other than to deplete your
stocks of food and drink: (c) enemies would never think
of extolling virtues that you do not possess thus saving
you from the embarrassment of being called upon to make
after-dinner speeches, to act in plays, to contribute to
unheard of charitable institutions or to lend your new
car when you go out of town; (d) enemies never shatter
your faith in human nature but friends who fail you,
undoubtedly do.
Among the aphorisms of the
great, there are several in support of my view. For
instance, Tennyson says, “He makes no friends who never
made a foe”. Arsene Housaye
conferred a benediction on one's enemies. He said, “Let
us not talk ill of our enemies; they only never deceive
us. And William Blake put it this way:“ Thy friendship oft has made my heart to ache: Do be my
enemy -- for friendship's sake.” |
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Having thus clearly
demonstrated the usefulness of the art, let us now look
into the easiest methods of acquiring it. In all the
wisdom that follows, it must be noted that malice has no
place. You will not be advised to arouse the type of
enmity that might blaze up into bloodshed; nor will you
be encouraged to violence or to encroach upon the rights
of others. What you will learn, on the contrary, is
constructive and beneficial, viz: how to protect
yourself from the unwanted attentions of people who
insist on thrusting their company upon you. |
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I. The Imaginary
Appointment: This method is as old as gold and
equally valuable. When Mr. Bore calls to see you, smack
your palm smartly on your forehead and utter the saving
sentence. It can go something like this: “Good grief :
I've got to see Mr. Woppingham at four and it's almost
that now. Sorry, old man, but I have to rush.” If you
are not fully dressed, run into your bedroom and start
slamming cupboards and drawers. If you are fully
dressed, take Mr. Bore's elbow in a firm grip, hurry him
out of the house and scamper away from him at the first
opportunity. Walk purposefully out of sight, circle
around a few blocks and return to your house from
another direction. |
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II. The Hard Touch:
This seldom fails. As soon as Mr. Bore appears, you
twist your face into an acute expression of desperation.
Then, with an arm around his shoulder and a sob in your
voice, you whisper : “Lend me two hundred rupees, my
friend --- matter of life and death --- you've got to
help me”. Sometimes Mr. Bore will find an excuse to
vanish even before your pathetic recital is over. It is
also very likely that he will make a grimly determined
effort not to cross your path for at least a month
thereafter. |
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III. The ‘Cut-In’
Technique: This is more than a little infuriating
and, for that reason, it works. All you do is this : you
burst into speech right in the middle of Mr. Bore's
conversation. Pay attention to proper timing. You must
“cut-in” at the right moment and having done so,
vigorously hold the floor, defeating all Mr. Bore's
attempts to finish whatever he was saying. With a little
practice, you will become so proficient, that Mr. Bore
will have no desire at all to start another conversation
with you for months. The “cut-in” technique often has
effect even upon those to whom it is not directed. So,
beware! |
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IV. The Superman Gambit:
People find it difficult not to refer to their
outstanding achievements. Mr. Bore is no exception. So
you wait, poised on the sidelines and attack when he
exposes his flank. To illustrate: supposing Mr. Bore is
telling you (with obvious pride) about the time a
headless ghost walked into his room at midnight in a
deserted bungalow. Here's what you do. Listen to him
without batting an eyelid; then tell him (with even
greater pride) about the time in Hubli when you were
lifted bodily from your bed by a three-headed ghost who
blew flames from his nostrils. |
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Whatever experience Mr. Bore
relates, you excel it. Give your imagination full rein.
When Mr. Bore finds himself being consistently
outclassed, he will leave you alone. All these of course
are called ‘specialist techniques’. There are several
other methods of a more general nature, which it will
pay you to practice if you aspire to become an expert in
the art of making enemies. The most effective of these
are as follows :
(a) forget the existence of
the words `please' and `thank you'; (b) criticize
everything you can lay your tongue on, particularly
other people's conversations abruptly, hanging up
without the slightest warning; (c) Brag about the scores
of famous people you know and introduce their names into
every conversation as often as possible; (d) at parties,
put your feet on the furniture, eat and drink with the
starving appetite of a castaway and leave without
bothering to say`good-night' to your host. |
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In conclusion, a word of
warning: So fascinating is the art of making enemies
that you could, very easily, become slavishly obsessed
by it. Therein lies the danger. For, as you go from
triumph to triumph, you may well be carried away by the
momentum of your own success. Not only is this unwise,
it is undesirable. |
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Verily, the art of making
enemies is one in the pursuit of which even its most
enthusiastic devotees should always… stop short of
perfection. |
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